Thursday, March 04, 2010

 

Branding Iron


As the native son of an affordably priced beach resort town, I appreciate the thought and craftsmanship that goes into a good screen-printed t-shirt. It starts with the basic graphic design elements like the colors and style of the design, which have to mesh with broader branding elements like an attractive, easily recognizable logo and a clever, catchy, and commercially desirable motto or catch phrase. Laid over (or underneath) all of that, there are the considerations of shirt colors, fabric weights, cuts, and quality. Between the art itself and the cotton canvas that hosts it, there’s plenty to appreciate for a true enthusiast of the medium. So, you could imagine my delight at the variety and volume of stunning shirt-craft on offer at the Shimano North American Handbuilt Bicycle Show, where seemingly every booth had something delightful in ink and cotton for sale. But this was no ordinary t-shirt show – there were some bicycles scattered about, too.

I'm kidding, of course. Fantastic handbuilt bikes were obviously and overwhelmingly the centerpiece of NAHBS, and if you’re interested in that sort of thing, you’ve probably already combed through a dizzying number of web sites and Flickr galleries to get your fix. But there were a hell of a lot of shirts on offer, too, and a good number of socks and hats as well. And though it might have created confusion as to what the real product was at times, the swift soft goods trade made sense for several reasons.

First, compared to selling the merits of marginally different $1,200+ custom frames, moving $20 t-shirts is easy money, and they pretty much sell themselves. Hang one up or throw a stack on the table, and if people like it enough, they’ll buy it. You’d don’t have to take the time to explain why your just-so seatstay treatment is better, or why getting just the right axle-to-crown length is crucial to executing your creative vision. It’s a t-shirt. People get it. And if you have a good design and sell enough of them, you can help mitigate the cost of getting to the show, at least.

Second, every good luxury brand – and most of the exhibitors at NAHBS could be considered luxury brands in cycling – knows that while most people can’t afford a $2,500 purse, they can afford a $40 t-shirt bearing the logo of a brand whose goods they admire. Most shirts at the show seemed to slot in at around $20, but the aspirational aspects of the marketing are the same.

Finally, if you have a reasonably attractive t-shirt design, people will actually pay you for a chance to advertise your brand. What could be better if you’re a small company looking to raise your profile? This concept is already well-trodden ground in cycling, though, so I won’t go any farther than that. (Except to point out that just because I’m noting that t-shirts give companies cheaper-than-free advertising doesn’t mean I’m one of those people who hangs around cycling message boards harrumphing about how I stripped all the logos from my frame and ride in a plain blue jersey because those bastards don’t pay me to advertise their stuff dontchaknowit. Who has the time?)

The Bicycle Trend Report

But enough about t-shirts -- you're probably wondering what was notable about the show for non-shirt enthusiasts. I’d say it was the move away from the over-the-top commuter/utility bikes of the past few years, and back towards what I’ll call sport bikes. By sport bikes, I mean road bikes designed for lively riding, but which will accommodate a greater range of fitness and flexibility levels than racing bikes, accept a 28c tire, fenders, and maybe a rack, and hopefully handle a bit of abuse without complaint. If you’re over 40, you probably call them sport-tourers, and if you’re over 40 and particularly crotchety you’ll probably rattle on about how Nishiki used to build a perfectly fine one and it didn’t cost two grand.

Given the emphasis on that genre, it was also refreshing to see that the interpretations of sport bikes were not radical, stylized overreactions to the exaggerated deficiencies people like to broadly assign to racing bikes. By and large, they didn’t have 700x98c tires to “smooth out rough roads”, or disc brakes, or handlebars so high that they would gently nuzzle your bearded chin, or self-consciously retro builds. They were just very nice bikes for people to take their normal rides on, without trying to oversell the buyer on some underlying, all-encompassing riding philosophy. And that’s progress, people. (So what's the next step on the road to universal cycling enlightenment? People who should and do know better will stop crowing about how racing bikes are uncomfortable in their marketing materials. Horses for courses, and for people who race, who ride long and fast, and who are used to them, racing bikes are shockingly comfortable.)

Anyway, from a market perspective, the move to sport bikes from uber-commuters makes sense. Almost too much sense for the bike industry. I’d venture there are far more people looking for a fine, pricey, handbuilt bicycle for recreation -- something comfortable and fun to ride with friends or on a Backroads tour of the Sonoma wine country -- than there are people looking for a fine, pricey, handbuilt bicycle to ride to the Safeway for deodorant and cheese and then lock to the parking meter outside the office. And since they’re already fighting for a tiny segment of overall bicycle consumption, builders are well served in providing what the greatest number of consumers want to buy, not what builders wish they wanted to buy. In the interest of full disclosure, I don’t have statistics to back any of that last part up.

The whole commuter-centric feel that pervaded the past few years’ shows gave off a bit of a racing-is-passé vibe, at least for someone reading the coverage from a distance. But while it would be foolish for NAHBS-type builders to focus heavily on a racing market dominated by big production, big marketing, and high margins, there was still a lot for someone involved in competitive cycling to like at the show. For instance, two of the last great European shadow-builders were present – Dario Pegorretti and Cyfac. Together, those two outfits account for quite a few high-profile professional racing results – it’s just that their frames were buried under someone else’s name at the time. With uniquely sculpted and easily identifiable (read: branded) carbon now the universal norm at the professional level, it’s tougher to pull off a good rebadging, so both companies have had to build their own brands in recent years, both to considerable success.

Further highlighting the changes in how bike builders and pro cycling teams interact was Italian builder Tiziano Zullo, based in Castelnuovo del Garda. Under its own name, Zullo sponsored the powerful Dutch TVM squad in the early 1990s, netting the final stage of the 1991 Tour de France under Dmitri Konyshev for the brand. Zullo’s production? About 200 frames per year. Compare that with the financial and production capacity needed to sponsor a top team today, and you see why there’s less diversity on the downtubes of the pro peloton these days.

The Cultural Trend Report

The success of the NAHBS over the past several years fits with what I see as a trend that goes beyond cycling. In a nation that traded its ability to manufacture much of anything for cheap product and the vaunted service economy (which is, in turn, being outsourced), there had been growing acceptance that material goods are things that are made by machines somewhere overseas, not by people here with ideas and families and houses. But in response to that alienation from the goods we consume, there now seems to be a growing fascination with people who can actually MAKE things – quality things – using knowledge, skill, and their own two hands. You can see it at NAHBS, of course, where I ran into people who already had bikes on order with builders, but who made the trip down just to meet the person making their bike face-to-face. But maybe more importantly for culture at large, you can see returned interest in production and origin in more moneyed industries than cycling. On television, there are any number of cable shows highlight the work of carpenters doing home remodels; show how, where, and by whom consumer items are made; and espouse the benefits of cooking real food. Grocery stores that note where, how, and by whom the food you’re buying was produced are doing better than ever, despite their higher prices. Foreign car manufacturers trumpet the fact that many of their cars are actually made in the United States by American workers. In short, people are starting to care again about where things came from and how they’re made, and that’s important. Beats not giving a damn, anyway.

Broomwagon

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Monday, March 01, 2010

 

Classic Classics


Sometimes – usually in years when there’s a clear blue sky in Flanders or it’s downright balmy at Roubaix – it can be hard to explain to people where the spring classics get their fearsome reputation. Other times, like last weekend, it’s fairly apparent how these races have become known as the crucible that forges cycling’s hardest men. Of professional cycling’s many and varied “season openers,” the start of the northern classics season is perhaps the most anticipated by fans. With always-questionable weather and courses that traverse some of the sport’s holiest ground, the early Belgian classics provide a more vivid, bracing awakening from the off-season than do the multitude of warm-weather events that now precede them on the calendar. So for those who like to expunge the depths of winter by plunging into a frozen pond instead of by easing into a warm bath, last weekend marked the true start to the cycling season.

While the home fans were likely disheartened by the lack of a Belgian winner, this year’s Omloop Het Nieuwsblad/Kuurne-Brussels-Kuurne weekend didn’t disappoint viewers looking forward to some classic classics racing. Tough weather, fate, and the traditional fierceness of the competition ultimately produced winners who for years have hidden in plain sight. Both riders have been a steady presence up north for the better part of a decade but seldom topped the favorites lists, though for decidedly different reasons.

On Saturday, under cold but clear conditions, Juan Antonio Flecha (Sky) finally tasted victory at Het Nieuwsblad after netting the second spot in 2007 (when the race was still known as Het Volk) and a third last year. You have to wonder if Flecha felt a little dizzy at he scaled that last steep pitch to the top step of the podium, as he’s not exactly familiar with the altitude. One of a count-them-on-one-hand cadre of Spanish classics specialists, Flecha has consistently been near the front of the big classics for the past five years, scoring a second in Gent-Wevelgem, third at Flanders, and second, third, fourth, and sixth at Paris-Roubaix. Those are extraordinary results for any classics rider, much less a Spanish one, and they’ve been more than enough to get his name chalked on the bookies’ boards with some pretty decent odds. But even though it’s long been apparent that Flecha has the legs to contend, observers had started to wonder if he had the head to win a classic rather than just place or show.

With his win at Het Nieuwsblad, Flecha looks to finally have matched his own strengths with a sense of timing. Though he’s a big, powerful rider with extraordinary force, he’s never going to scalp Tom Boonen (Quick.Step) or Thor Hushovd (Cervelo) in a sprint on the Roubaix velodrome, or win a small-group jumping contest from Nick Nuyens (Rabobank) or Philippe Gilbert (Omega Pharma-Lotto) on the run-in to Meerbeke. If Flecha was going to bag a big win, he’d have to start his move far enough out to be able to grind away from riders with more punch, and in separating himself from Gilbert, Frederic Guesdon (FdJ), Roy Curvers (Skil-Shimano), and Jurgen Roelandts (Omega Pharma) some 20 kilometers from Gent, he finally got the formula right.

Waiting for the inevitable group-of-five shenanigans to begin in the final kilometers would have sunk Flecha, since despite his strength he doesn’t fare well when winning requires repeated jumps. That scenario would play more to Gilbert’s strong suits, even moreso when Gilbert had teammate Roelandts in the group to help soften things up and close down gaps. So instead of waiting for hesitation to deal him his losing hand, Flecha mustered a single, committed acceleration to create the gap, then relied on his greatest asset – force – to drive at a steady, relentless pace that the chasers simply couldn’t match.

Now, with this season's cobbled classics in the books, we’ll need to wait a month to see if Flecha is able to apply his lessons learned when Boonen, Hushovd, Pozzato, et. al. reach top form for Flanders, Gent-Wevelgem, and Roubaix. It’s one thing to pull of that sort of move in the early season over just Gilbert, an aging Guesdon, and the others; it’s another to pull it over on a royal breakaway as you’re rolling up to the Bosberg full-tilt.

Like Flecha, Sunday’s Kuurne-Brussels-Kuurne winner Bobbie Traksel (Vacansoleil) wasn’t many people’s top pick, if he was anyone’s pick at all. But unlike Flecha, it’s been a long time since Traksel’s even been considered at the bookie tables. Rabobank signed him to his first pro contract in 2001 at least partly on the strength of a win at the U23 Ronde van Vlaanderen. Traksel rewarded that faith the next year with a win at Veenendaal-Veenendaal, the Netherlands’ biggest home classic outside of the Amstel Gold Race. But after a quiet 2003 and 2004, Traksel was no longer looking like the Dutch heir to Michael Boogerd and Eric Dekker at Rabobank, and he moved across the border to the second division Mr. Bookmaker team in Belgium. He’s remained solidly in the second division from there, riding for various teams directed by Hilaire Van der Schueren -- Palmans in 2007 and the more anonymous P3Transfer-Batavus in 2008 -- and a stage victory and subsequent overall win in the 2008 Dreidaagse van DePanne ensured his place when Van der Schueren created the more fancied Vacansoleil squad in 2009.

While he hasn’t thus far turned out a classics star, Traksel has always been a classics specialist, appearing continuously in the results sheets of the biggest races, always battling, and doing the job in relative anonymity – the definition of the workingman’s pro. He’s been the guy in the early break who’s getting caught just as the TV coverage comes on. He’s been one of those four nameless teammates driving in a steady rotation at the front of the peloton. He’s been the guy getting spit out the back when he’s done with his work.

It’s something nice when things come good for a guy like that – a guy who just keeps plugging away – and maybe it’s that doggedness that let him persevere in the three-man break with Rick Flens (Rabobank) and Ian Stannard (Sky) through miserable conditions that cut the peloton down to just 26 finishers. Riding through a storm so fierce that it killed several people in northern France and earned itself a name, Xynthia, the peloton was split in two within an hour, with 50 riders, including a number of favorites, climbing off a the first feed zone. Once the race hit the hills, it was Traksel who made the selection, attacking with teammate Arnaud Van Groen, whom he later dropped. Fens and Stannard bridged up on the Oude Kwaremont – which is still damn early in that race – and the three fought off respectable chases from Hushovd and Dominique Rollin of Cervelo and Hayden Roulston of HTC-Columbia. Not rattled by the chance of tasting big success for the first time in years, Traksel stayed calm in the finale, jumped at the right moment, and stepped back out of anonymity.

On a final note, Rabobank has long been the classics squad that, while undeniably talented, couldn't quite seem to close the deal, at least not as often as they should have over their long history -- a few Amstel Golds with Dekker and Boogerd, a couple Nokere Koerse with Graeme Brown, and Gent-Wevelgem and a few Brabantse Pijl with Oscar Freire being the most notable. With Rabo alumni taking home both wins in fine stye this weekend, we have to wonder -- is the squad's short classics win column simply (bad) luck of the draw on race day, or is there something wrong in the car or the office?

Broomwagon

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Thursday, February 25, 2010

 

Lost in Translation


Word was said to be leaking out of Italy over the past several days that Washington, DC, had indeed landed its longshot bid to host the start of the 2012 Giro d’ Italia. Big cycling media reports, subsequently parroted and embellished in any number of places, said that organizer RCS had made statements to the Italian press indicating it was a done deal, with the announcement to be made this morning at the Italian Embassy in DC.

Now, in the fading light of Thursday afternoon, those reports appear to be not quite so accurate, and I’m not talking about the fact that the event is going to be this evening rather than this morning. An event there will be, it seems, but rather than a triumphant victory announcement, it will be a rah-rah session held by the Italians and the Mayor in an effort to convince area businesses (and likely the rest of the DC government) that a wildly misplaced Italian bicycle race will be a financial benefit to the city. In other words, get them to cough up some dough.

That's a substantially different story from those running yesterday, though most of those stories have now been "updated", or "corrected," or "retracted," depending on how you look at it.

I have to admit, when the idea of DC hosting the Giro initially floated out, I approached it with a feeling of acute skepticism, bordering on pessimism. And frankly, even though DC’s proverbial hat seems to still be in the ring, I’m still finding it hard to shake those feelings. I support the effort – this would, after all, bring the Giro d'Italia to my backyard, or five miles from it, anyway. And it's bold, risky, and a little bit ill-advised, and I like that. But hauling a grand tour across the Atlantic is a gargantuan undertaking, fraught with a number of logistical challenges that can’t be overcome with mere enthusiasm. Some can't even be overcome with money, and that's saying something. Among the challenges, monetary and otherwise, that will have to be faced down:

So yes, I’m skeptical. But I’m also hopeful. The people working on the bid are experienced, smart people, and they know cycling and event planning. I’m sure I haven’t listed anything above that they haven’t thought of themselves. And if they needed help, I’d sign up in an instant. Hopefully, tonight’s session at the Embassy will be another step on the road to success, even if it’s not quite the finish line people were expecting yesterday.

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